Carnival of Souls is an American 1962 independent horror film written, produced, and directed by Herk Harvey, and starring Candace Hilligoss. The plot follows Mary Henry, a young woman whose life was disturbed after a car accident. She moved to a new city, where she found herself unable to assimilate with the locals, and was attracted to the abandoned carnival pavilion; Director Harvey also appeared in the film as a foreigner who screwed up throughout his life.
Filmed in Lawrence, Kansas and Salt Lake City, Carnival of the Soul was shot with a budget of USD $ 33,000, and Harvey used various techniques of guerrilla filmmaking to complete production. It was Harvey's only feature film, and did not get widespread attention when it was originally released as a dual feature with The Devil's Messenger in 1962.
Regulated to an organ score by Gene Moore, the film has been recorded continuously by film critics and scientists for its cinematography and hunching atmosphere. The film has the following major sects and is sometimes screened in Halloween movies and festivals, and has been cited as a broad influence on many filmmakers, including David Lynch and George A. Romero.
Video Carnival of Souls
Plot
Mary Henry drives with two other young women when some men challenge them to race. As they drove across the bridge, the woman's car fell sideways into the river. Police spent three hours dragging water cloudy and choppy with no results. Mary miraculously surfaced, but she did not remember how she survived.
Mary then went to Utah, where she was employed as a church organ. At one point, he could not get anything on his car radio but a strange organ music. He passed a large pavilion left alone on the shores of the Great Salt Lake; seems to fill it in the twilight. Shortly thereafter, as he was traveling along a lonely road, a dreadful, unsmiling figure (never identified, but called "The Man" in a dialogue and played by director Herk Harvey, unsecured) replaced his reflection in the passenger window and looked at him. When The Man suddenly appeared in front of him, he turned off the street. At a gas station, the officer informed him that the pavilion was the first bathhouse, then the dance hall, and finally a carnival before it was closed.
In town, Mary rented a room from Mrs. Thomas; John Linden, the only other sneaker, wanted to get to know the new blonde, but he was not interested. That night, she became angry when she saw The Man downstairs in the big house and retreat to her room. Mrs. Thomas, who brought her food, said she had not passed anyone.
Immediately, Mary begins to experience a frightening interlude when she becomes invisible and unheard of throughout the world, as if she were not there. When The Man appeared briefly in front of him in the park, he ran away, right into Dr.'s arms. Samuels. She tries to help her, even as she admits she's not a psychiatrist.
His new employer, minister (Art Ellison), was postponed when he rejected suggestions from the reception to meet with the congregation. When he practiced for the first time, he found himself shifting from singing praises to frightening music. In a trance, he sees The Man and the others dancing in the pavilion. Minister, hearing strange music, denounced as "profane" and insisted his resignation.
Frightened alone, Mary agrees to date Linden. When they return home, he speaks fluently to his room, but when he sees The Man in the mirror, he becomes irritated and tries to tell Linden what has happened to him. He leaves, believing he is losing his senses.
After returning to Samuels' office, Mary was sure she had to go to the pavilion. There, he was attacked by The Man and his fellow ghost friends. Mary tried frantically to escape, at one point taking a bus to leave town, only to find that all the passengers were ghosts. Then he wakes up, indicating that he's dreaming of this sequence at least. In the end, he is pulled back to the pavilion, where he finds his torturers dancing. His pale version was paired with The Man. When he escaped, they drove him to shore. He fainted, and they approached.
Ministers, doctors and police went to the pavilion to look for him. They found footprints in the sand - the only one - but they ended abruptly, and there was no other trace of him. Back in Kansas, the car was located and pulled from the river. Mary's body was in the front seat with two other women.
Maps Carnival of Souls
Cast
Production
Conception
Harvey is an educational and industrial film director and producer based in Lawrence, Kansas, where he works for Centron Corporation. On his return to Kansas after filming the Centron movie in California, Harvey developed the idea for the Soul Carnival after driving past the abandoned Saltair Pavilion in Salt Lake City, Utah. "When I returned to Lawrence, I asked my friend and colleague at Centron Films, John Clifford, who was a writer there, how he wanted to write a feature," Harvey recalls. "The last scene, I told her, must be a large group of ghosts dancing in the ballroom; the rest is up to her, she wrote it in three weeks."
In New York City, Harvey discovers twenty-year-old actress Candace Hilligoss, who has been practicing with Lee Strasberg, and plays her in the lead role of Mary Henry. Hilligoss has been offered a role in the horror film Richard Hilliard-directed Psychomania (1963), but opted for a role in the Carnival of the Soul . He stated that at the time, he took on the role of "a money-and-run situation"; he paid about $ 2,000 for his work in the film.
Filming
Harvey shot the Carnival of the Souls within three weeks at a location in Lawrence and Salt Lake City. Harvey took three weeks off from his job at Centron to direct the movie, starting with an initial production budget of $ 17,000. The $ 17,000 cash budget was raised by Harvey asking local businessmen if they were willing to invest $ 500 in Harvey production. The remaining $ 13,000 of the total $ 30,000 budget is suspended. Harvey was able to secure a $ 50 Saltair Pavilion rental, and several other scenes, such as the scene featuring Mary in a department store, were shot guerrilla style, with Harvey paying locals to allow the crew to quickly record. Hilligoss described the filming process as fast, with the cast and crew seven days a week.
Harvey used the techniques he learned in his work on industrial films to limit production costs. There is not enough money for the process screens to create a rear projection effect, which is the method normally used at the time to create the impression that the scene is taking place in a moving car, by combining separate static images in static cars. moving background recordings. Instead, Harvey used a battery-powered Arriflex camera to film shots in a moving car, eliminating the need for compositing. The Arriflex, which at that time was more often used by cameramen shooting news footage, also allowed them to use the camera to move in other scenes without the need for equipment such as dolls or cranes. Harvey's assistant director is Reza Badiyi, a young Iranian immigrant who has just started his film work in the United States. By this time, Reza had become the director of the second unit in one other film; The debut of Robert Altman The Delinquents , but will continue to make (among other important work) some of the most famous series, iconic and montage series, including; Hawaii Five-O , Get Smart , and The Mary Tyler Moore Show .
The shot where The Man's face appeared in the car window was accomplished through the use of a slanted mirror placed on the far side of the window. The scene at the beginning of the movie where the car went from the bridge and to the river was filmed in Lecompton, Kansas. The city does not charge for the use of the bridge, it only requires a film crew to replace the damaged rail bridge once they finish filming. This is done, at a cost of $ 38 for the new rails.
Music score
The Carnival of the Soul shows the original organ score by Gene Moore composer. Film and music scholar Julie Brown commented on the score, noting: "The organs are one of the spectral presence in the Soul Carnival, calling, or being summoned by, the various allusions in films for cinema past." Scriptwriter John Clifford has stated that Harvey's selected locations for film (especially the Saltair Pavilion, and the organs of the great church) influenced the decision to use organ scores. The portrait on the organ display played by Mary was carried out by Harvey to add a "Gothic look" to the movie.
The original soundtrack album for Carnival of Souls was released in 1988, featuring Gene Moore's original music score.
Release
Carnival of Souls held its world premiere at the Main Street Theater in Lawrence, Kansas, in September 1962. While the US release of Carnival of Souls failed to include copyright on print, it automatically placed they are in the public domain, the foreign release marketed by Walter Manley does contain copyright cards and is protected for overseas sales. The 35 mm theater print was cut by Herz-Lion to 78 minutes of original camera pruning. However, a 16 mm television copy is fully printed and individually cut by each station to fit their time slot, which is why they vary in length.
WOR-TV in New York City used to broadcast the film intact on a late night night in the sixties. Scenes cut by the theater distributors include scenes where Mary stops at a gas station and discusses carnival buildings with officers, a longer sequence of dialogue between ministers and carpenters and additional scenes where doctors speak to the landlady. In 1989, the film was screened at festivals throughout Europe and the United States, giving it a renewal of public interest, and later appeared in a number of Halloween film festivals.
Mental Carnival prints vary in length from 78 minutes in theatrical release to 84 minutes in original pieces. While some sources have incorrectly recorded the film at 91-minute runtime, Michael Weldon stated in The Psychotronic Video Guide to Film that the original theatrical pieces of the film run for about 80 minutes; he also stated that the director's piece, which runs 84 minutes, is "the best and most complete version we've ever seen."
Reception
The Carnival of the Soul is largely overlooked by critics at the start of its launch, and will receive "pending recognition" in subsequent decades, receiving numerous screenings of the art house in 1989 along with the Halloween season. Since then it has been considered by many film schools as a classic, often praised for its lighting and sound design, in which "sight and sound are united... in a terrible way." Some scholars, such as S.S. Prawer, thinks Carnival of Souls is more of an art film than a live horror film. The Time Out movie guide praised the compositions of "stark black and white movie, bewildering the order of dreams and frightening atmosphere," adding that the movie "has the feel of a German expressionist film silent." Unfortunately, so do some acting, exaggerated facial expressions and strange gestures, but the fascinating power of the carnival and dance sequences far outweighs the awkwardness of an awkward intimate scene. "
The Complex magazine ranked the Carnival of Souls number 39 on the list of 50 scariest films ever made. Leonard Maltin gave a two and a half out of four stars, calling the movie "frightening" and "imaginative low-budget effort." Critic Roger Ebert likened the film as "the missing episode of The Twilight Zone," noting it has "an intriguing power." Joe Brown of The Washington Post cinematographed the film, writing: "Harvey's camera gives a new twist to the word" deadpan, "making the most worldly places and imagined people look like terrible hallucinations, and the director show the talent to elegantly use the location and lighting available for maximum disorientation value. "Stephen Holden, for the New York Times saw the 1989 screening at the Fantasy Festival and wrote:" What has earned the Soul Carnival reputation is the director's ability to build the mood of fatalistic anxiety. "
TV Guide won the Carnival of the Soul score of three stars out of four. Praising the film's atmosphere, acting, and scary scores, calling it, "A ghastly ghost story with artistic pretensions." Reel.com Movies gave positive soul carnival reviews, complimented the film's atmosphere, slow building tensions, and visually disruptive. Wes R. from Oh the Horror! praised the movie that says, "Carnival of Souls is a movie that every horror fan must have, even if you can not get into older, black and white movies (what kind of fan of your horror ?) I beg you to give this one a shot ". Film review reviewer Rotten Tomatoes reports an 85% approval rating, based on 33 reviews , with an average rating of 7.3/10. The film has earned the following cult since its release and is now considered a low-budget classic.
Home media
Collection Edition The movie criteria contain a cinema version of 78 minutes and 84 minutes director cut. The Legend of the Film Film Edition contains color and black and white versions of the director's cut and audio commentary track by comedian Michael J. Nelson, former author and host of Mystery Science Theater 3000 . In 2016, The Criterion Collection re-releases the movie on DVD and Blu-ray.
Legacy
In 2012, the Academy Film Archive restores the Carnival of the Soul . The film was crowned as the predecessor of the work of various filmmakers, including David Lynch, George A. Romero, and James Wan.
Remake
Negotiations with the authors of the Life Carnival, John Clifford, and director Herk Harvey, led in 1998 for a remake directed by Adam Grossman and Ian Kessner and starring Bobbie Phillips. This remake has little in common with the 1962 movie, borrowing little more than revelation at the end. Sidney Berger, who appeared in the original film as John Linden, appeared in a cameo in the remake. This remake follows the story of a young woman (Phillips) and her confrontation with her mother's killer. The filmmakers had asked Candace Hilligoss, the first movie star to appear, but she refused, feeling that Clifford and the filmmaker of the remake had shown disrespect to her in starting the movie without consulting her or considering her care for the sequel to the 1962 version. The remake was marketed as < i> Wes Craven Presents 'Carnival of Souls ' . It received negative ratings from most reviewers and failed to secure theatrical releases directly to the video.
Profil
- Karnaval Jiwa di IMDb
- Karnaval Jiwa di AllMovie
- Karnaval Jiwa di Database Film TCM
- Karnaval Jiwa Di Katalog Film Film Amerika
- Karnaval Jiwa di Rotten Tomatoes
Essential essays
- Essay Collection Criteria by John Clifford
- Essay Collection Criteria by Bruce Kawin
View movies
- Mental Carnival available for free download on the Internet Archive
Source of the article : Wikipedia
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